@audiotechnologymag - 229 本の動画
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NAMM 2025 : Tony Cariddi, VP of Sales & Marketing at PreSonus
NAMM 2025: Austrian Audio: OC-S10 and Plug-Ins
NAMM 2025: DPA Microphones CORE+ technology
NAMM 2025: Sontronics SOLO-S, ZETA, Aria & Sigma Microphones
NAMM 2025: Shure Axient Digital PSM, ShowLink, MV7i Smart Microphone & Interface
NAMM 2025 : Korg Multi/Poly Module and Kronos Workstation
NAMM 2025: Audient iD48 USB-C Audio Interface
NAMM 2025 : Aston Microphones - Eclipse
NAMM 2025: dBTechnologies INGENIA Series
NAMM 2025: Behringer WING, P24
NAMM 2025: LD Systems MAUI G3 MIX
NAMM 2025: Zoom H1 XLR, LiveTrak L6
NAMM 2025: Moog Synths
NAMM 2025: New Features in Avid Pro Tools
NAMM 2025: Allen & Heath SQ Rack
NAMM 2025: Audio-Technica Instrument Mics & R-Series Headphones
NAMM 2025: SSL 18 Audio Interface
NAMM 2025: QSC KC12 Column Speaker
NAMM 2025: Adamson PA Loudspeakers
A Tour of Liveschool: Sydney's Ableton-Certified Training Centre
A Dolby Atmos Studio for Under A$10,000?
Bob Clearmountain's Perspective on Immersive Mixing
ISE 2024: Midas HD96 AIR
NAMM 2024: RME Room EQ/Crossfeed Additions to TotalMix FX
NAMM 2024: McDSP BOB (Bass Optimised Bias) and SA-3 Plug-Ins
NAMM 2024: LD Systems Maui G3 Mix
NAMM 2024: Prism Sound ADA-128 Conversion System
NAMM 2024: Audient ORIA Immersive Interface & Monitor Controller
NAMM 2024: Millennia Media STT-1 Origin
NAMM 2024: Korg PS-3300 Demo & Overview
NAMM 2024: Zoom H1, H4, H6 32-Bit Recorders
NAMM 2024: Shure SLX-D Portable Digital Wireless
NAMM 2024: Rupert Neve Designs
NAMM 2024: Ben Sneesby from BeesNeez Microphones
NAMM 2024: Radial Nuance Select Monitor Controller
NAMM 2024: EAW AC6 Adaptive Column Loudspeaker
NAMM 2024: Aston Microphones Apex
The Sound Design Behind Moulin Rouge! The Musical (Regent Theatre, Melbourne)
The 'Cute' Yamaha DM3: Thoughts from a FOH Engineer
Shure SM7dB: No More Low-Output Issues!
In The Studio: Cam Trewin (Rüfüs Du Sol) On The SSL UF1 & UF8
UA Capitol Mastering Compressor Review
ADAM Audio A7V Studio Monitors Review
Yamaha DM7 Overview (InfoComm 2023)
Lab Gruppen LMX Audio Processors at InfoComm 2023
Mixing Ed Sheeran's In Ear Monitors with KLANG
Mixing Ed Sheeran on a DiGiCo Quantum 7 with Chris Marsh
Recording Drums 3 Ways with the DPA DDK4000 Microphone Kit
d&b Soundscape at Björk's Cornucopia Show, Perth Festival
In The Studio: How Tristan Barnes uses his SSL Origin
Sound for Ed Sheeran’s Mathematics Tour: PA Tour with FOH Engineer & System Tech
Mark Woods Reviews the Midas Heritage-D HD96-24
Tascam SonicView Mixing Console Launch (ISE 2023)
JBL SRX900 - APAC Launch
A Conversation with Daniel Sennheiser, CEO of Sennheiser
AT VIP Sessions: Atmos Mixing Masterclass
Mixing a Song Using UAD Spark Plug-Ins only
Remixing RÜFÜS DU SOL’s ‘Live From Joshua Tree’ for Atmos Music
Ned Rallings at Studios 301 (Fender Player Plus Sessions)
Demystifying Dolby Atmos Music with Drew Parsons from Avid
Recording Empire Central with Snarky Puppy's Audio Engineers
Apogee BOOM! First Look & Built-In DSP Demo
Korg Drumlogue :: Creating a Basic Pattern (No Talking)
Korg Drumlogue :: Preset Pattern Demo (No Talking)
UAD Volt 276: Testing the 1176 Compression & LA-610 'Vintage' Mode
TAG's Warehousing Goes Green: A Tour with Max Twartz & Tony Russo
Hotone Ampero II Stomp: Making a Patch Using the Editor Software
Miles Brown Test Drives the New Moog Etherwave Theremin
Meyer Sound’s Flagship Panther Line Array Launch (Las Vegas 4-5 May, 2022)
In The Studio with Danny Bonnici (ASM Hydrasynth)
AT IsoBooth // Matty from Planet
Industry-Relevant Education at Adelaide TAFE with Avid S4 & S6L
In The Studio with Juno Mamba (UDO Super 6 Desktop, AIAIAI Wireless+, Moog Subsequent 37)
Apogee HypeMic: Built-In Compressor Tests & Comparison
PA Tour of Foo Fighters Stadium Concert, Geelong
Filmmaker Anthony Gordon's Approach to Audio
Zoom F3: How Small is Too Small? Stephan Schutze discusses.
Industry Standards: Pro Tools | Carbon at TAFE Gold Coast
AKG ARA USB Microphone: Unboxing & Testing
Fender Player Plus Review: Why It's a Step Up from the Player Series
David Boucher – Recording & Mixing Crowded House’s ‘Dreamers Are Waiting’
FOH Engineer Jim Ebdon (Maroon 5, Aerosmith, Justin Bieber)
Rig Tour with Ben Osmo, Academy Award-Winning Sound Recordist
Shure MV7: More Than A Podcast Mic?
Something For Kate Interview: Paul Dempsey & Nick DiDia
Lime Cordiale Behind The Scenes
Producer Jim-E Stack: Song-Building Workflow, Mixing & Production Tips
Wilson's Prom: Creation of a Concept Album
First Look at Korg Opsix Altered FM Synthesizer
SSL Origin Install: Marshall Cullen Interview, Damien Gerard Studios
SSL 2+ Unboxing & Overview
Which 8-Inch Monitors Should You Buy for $1k? (ADAM Audio T8V, PreSonus Eris E8 XT, Kali Audio LP-8)
Becki Whitton interview - Engineer, Producer, Recording Artist
Session Notes: Husky Interview – Recording the single SYWD
Vibing with the Arturia KeyStep Pro
Korg SoundLink Review: Best Compact Mixer on the Market?
Remix Masterclass: Ryan Riback Produces ‘Wrong’
Andrew Scheps on Analogue vs Digital, How to 'Hear' when Mixing
Paul Kelly & Paul Grabowsky Interview
NAMM 2025: Shure Axient Digital PSM, ShowLink, MV7i Smart Microphone & Interface
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