MusicRadar Tech

0:57

Ever wondered if you need a subwoofer and which one to buy? Kali Audio has the perfect options

0:37

PreSonus’s Quantum HD interfaces can be the heart of a powerful, convenient recording setup

0:53

Music gear you need to know in 2025: Frap Tools Magnolia

1:09

Music gear you need to know in 2025: Polyend Mess

1:30

Music gear you need to know in 2025: Erica Synths HexDrums

6:04

"We wanted to design an instrument that was approachable for everyone": Moog Messenger synth demo

36:58

The 12 best new synths, drum machines, FX and innovations of Superbooth 25: round table + demos

6:20

Ever wondered if you need a subwoofer and which one to buy? Kali Audio has the perfect options

19:53

"I want modernity and history; to feel timeless but futuristic": Djrum on Under Tangled Silence

26:25

“You have to be a Swiss Army Knife": Fraser T Smith on working w/ Kae Tempest, Adele & Future Utopia

16:18

PreSonus’s Quantum HD interfaces can be the heart of a powerful, convenient recording setup

14:29

10 more things producers can learn from our In The Studio With... series

12:06

Why the Full Bucket FB-3300 is a fantastic free synth – and how to use it

1:17

Let's make a dark electro-inspired track with the sounds from our FREE Glitch Drums sample pack.

32:46

Lawrence Hart [Domino Records] builds a track from scratch – In The Studio

16:19

"If everything's patched and organised, you end up repeating yourself": Riva Starr studio essentials

7:22

"I'm not as brave as Lee 'Scratch' Perry": Joe Armon-Jones on the go-to gear behind All The Quiet

17:58

"Gatekeeper mentality made me bitter towards dance music": Dr Dubplate on club culture and ec2a

1:28

Let's build an industrial house track with sounds from our FREE Glitch Drums sample pack

16:34

“I know how to make a banger through trial & error”: Eats Everything on DJing & producing his new LP

1:01

Ultra low-latency monitoring for DJs couldn't be simpler

14:00

It's time to finally ditch those cables, SonicLink from AlphaTheta is here

25:41

Ranked: Moog semi-modular showdown – The 'Mother' range from worst-to-best + our favourite pairings

15:27

Nitin Sawhney and Polygon Live in the studio: Creating a 360 degree immersive live show

9:54

Djrum on creativity “I'm starting sessions and not finishing them, I don't see that as unproductive”

38:59

Eats Everything in the studio: We Lost Ourselves and Found a Family (ft Goldie)

25:12

Elektron Digitone II review: Is it worth the upgrade from version 1?

21:45

In the studio w/ Joe Armon-Jones (Ezra Collective): Dub mixing in Aquarii Studios

48:54

Djrum in the studio: Making Frekm Pt.2

11:12

Chaotic pendulums and West Coast waves: Why Pendulate is a fantastic free synth... and how to use it

4:16

Giles Martin demystifies the 'AI' behind The Beatles' Now and Then: “AI isn't creating John's voice"

5:37

Adam F on making Kaos and moving from DnB to hip-hop

22:49

Adam F on how he made ‘90s classic Colours… and why he’s re-recording it for 2025 - In the studio

2:14

Sigala shows how he wrote the hook for Came Here For Love

14:48

There’s a lot we love about Korg’s DIY synth… but it has one big problem: Nu:Tekt NTS-1 mkII review

1:21

Let's build a downtempo beat with FREE SAMPLES from our '90s Jungle pack

1:49

Sub Focus crafting a DnB bass patch

10:04

Dr Dubplate's top 5 DJing tips and tricks

1:12

Legowelt making ambient sounds on the Roland JV-2080

1:15

Let's make a hip-hop beat with our FREE '90s JUNGLE sample pack

1:25:12

Making a DnB track from scratch with Wilkinson (2018) – FROM THE ARCHIVE

1:05

Let's make a PlayStation 1-era jungle beat with our FREE SAMPLE PACK

9:05

Is this acoustic-MIDI hybrid the future of classical instruments? Digitaize at NAMM 2025

10:35

“I just had to respect the sound”: Idania Valencia on mastering Charli XCX, go-to plugins and AI

1:59

Is the auto-playing, MIDI synced Circle Guitar the instrument of the future?

2:00

How does Behringer's $399 LinnDrum clone compare to the original?

27:47

The best of NAMM 2025: The biggest music tech stories – New synths, controllers, studio gear & more

9:37

Donner's L1 is a budget analogue synth that builds on the legacy of the SH-101

7:28

Stylophone’s CPM DF-8 is a ‘beauty and the beast’ filter that can purr or squeal

3:57

Behringer's Wave is a PPG Wave clone that's been four years in the making

9:22

Could Melbourne Instruments' ROTO Control revolutionise software and hardware control?

4:27

Korg reaches back to 1973 with its reissued MiniKorg 700Sm at NAMM 2025

5:10

"An all-in-one gig rig": Roland introduces the V-Stage at NAMM 2025

6:03

"More than just an audio interface": Bitwig launches its first hardware product at NAMM 2025

7:29

Polyend Step first look: A drum machine you can stomp on

16:43

Teenage Engineering OP-XY review: What we love about it... and what we don't

1:01

Avicii creating kick drums in the studio (2011)

30:21

Pig&Dan (Drumcode/Soma) studio masterclass (2016) – FROM THE ARCHIVE

8:19

Why Valhalla Supermassive is a fantastic free effect plugin... and how to use it

1:21

Imogen Heap shares a studio tip (2010)

1:07:56

Icicle makes a DnB beat from scratch (2016) – FROM THE ARCHIVE

2:27

We're counting down our 2024 gear of the year. In at number 4... the Roland P-6

1:30

Richie Hawtin's 2010 live setup was ahead of the game

29:45

Gear of the year 2024: The 10 best synths, samplers and drum machines

12:01

Daniel Miller gives us a tour of Studio Mute (2014) – FROM THE ARCHIVE

0:56

Stop thinking your music isn't good enough: Mr. Mitch (aka DJ Cuddles) shares some production advice

54:01

Sub Focus breaks down his track Solar System (2019) – FROM THE ARCHIVE

1:41:20

Create a full techno track from scratch with Tom Hades – FROM THE ARCHIVE

14:35

"Clubs are dying, but I don't think music scenes will die": Mr. Mitch (aka DJ Cuddles) interview

0:36

The MS-20 Blackboard might be the rarest synth in Korg's lineup

0:44

67-year-old techno producer The Last DJ on finding inspiration to make tracks

1:08

Dave Clarke on the state of DJing in 2024

4:27

Korg's strangest synths: “We think there were probably less than 50 of these ever produced”

0:51

Polyend Synth is a smart, well-designed digital synth with some truly unique ideas #review #demo

14:47

The Last DJ's techno tips: "I'm not afraid to break the rules. The main thing is to enjoy yourself"

9:57

Why Vital is a fantastic free synth plugin... and how to use it properly

1:51

Dubstep pioneer Benga making beats in the studio in 2008

40:54

Mr. Mitch (aka DJ Cuddles) turns old ideas into finished tracks – In the studio

17:10

Roland VQD106 review: Are they really “the lowest playing-noise in the history of electronic drums?”

1:20

A Guy Called Gerald talks record hunting in the early days of house music

1:02

Add swing to your beat with Ableton Move – Quick Tip #ableton #beatmaker #musicproduction

9:08

3 ways to use Oeksound Bloom in a mix: Why this adaptive tone shaper could become a new go-to effect

16:19

Beginner's guide to modular synthesis: Oscillators and how to patch them – Easy guide to Eurorack

1:34

Maschine 3.0 is a disappointing update to the classic beatmaking tool 🎛

0:58

DJ Boring on making Winona and using synths in the studio

19:39

Motor Synth MkII review: Beautifully odd and maddening – The things we love and some things we don't

11:41

Max Cooper explains his stunning live 3D/AV show: "I want freedom to just have fun with it"

18:15

The history of Korg in 21 synths: Inside the new Korg Gallery

0:41

@Polyend founder Piotr Raczyński makes some acid with Synth 🎹 ⚡️– full interview and review now live

29:38

Polyend Synth review and developer interview: A late contender for 2024’s best new instrument

0:33

How @BostonBun builds tension with #ableton Auto Filter – Watch his Nobody // Me breakdown now

20:57

Musicians that have invested in the platform deserve more: Maschine 3.0 software demo & review

9:33

"With the SH-101 the first thing you do is try to rip off the bassline to I Feel Love": Utah Saints

18:36

"Michael Stipe said it was his favourite dance album" Rave icons Utah Saints on their '92 debut

11:50

Boston Bun talks us through the stems of Nobody // Me

24:05

Korg Multi/Poly review: "It's not a Mono/Poly... but it's an interesting take on some of its ideas"

12:45

“I like sampling from vinyl; I like the limitation, and the randomness.”: Hardt Antoine interview

24:23

Adrian Sherwood 2015 On-U Sound studio tour & making Late Night Endless w/ Pinch – FROM THE ARCHIVE

15:16

Breakout UK artist Yunè Pinku flips a piano sample and builds a beat from scratch

4:23

Get started with Ableton Move: 6 quick workflow tips